TEVARAM

Three stages have been identified in the evolution of Tevaram - first is the mark of Shiva as the supreme deity during the 7th - 9th century, the second involved Cholakings initiating the compilation of all the hymns and installing the images of the 3 saint poets during the 10th to 11th century and the last being the restructuring done by the pontiffs of the mathas who incorporated the hymns into Saiva Siddantha canon in 13th century.Both the Saiva and Vaishnava textual tradition negated the Vedic orthodoxy and Smartha tradition practised during the era. The authority of the hymns were established with the Saivities calling the Tevaram as Tamil Marai(meaning Tamil Veda), while Vaishnavities called the Nalayira Divya Prabandham as Dravida Veda.^[The usage of Sanskrit lithurgies for religion was overcome with the usage of Tamil in both Tevaram and Prabandham.. Sangam literature established the convention of akam (internally orineted) and puram (externally orientated) poetry. Though influence of Sangam literature is often seen in Tevaram, the strict conventions were not followed. The verses were more oriented towards folk tradition, which was easily accessible to people.